Thursday

DIY Film Distribution

One of the biggest questions we get at the DIY Film Fest is "How can I get my film distributed?"

Believing in the do it yourself philosophy, doesn't mean that you can't make a living doing it yourself.  And part of making a living is making sure that your film gets in front of your audience.

But here are a few tried and true methods of self distribution.



1. Use a distribution platform to sell your film.   At the DIY Film Fest we're happy to be sponsored by FilmHub (formerly Kinonation) a successful digital film distribution company.   The process is fairly simple; once you've finished your film and are looking for distribution, you sign up with their film company at Film Hub and follow their instructions on how to upload your film.  They do the rest.

(One of the perks of our film festival is that the winners of each category are invited to distribute their film through FilmHub to their various entities that they sell the film through (saving the filmmaker the time and effort to try and contact each of those companies individually).



2. Use a direct distribution entity like Amazon.com.   Amazon places your film on their searchable site, and it's easy to link your blog or your film to their company.  They insist that films a subtitle track so that they can have them subtitle (or use one of their subtitling bots) but it's a way of offering a film worldwide.  They have a minimum for how much it costs to view the film, and generally they set the film's price.  But it's a way of submitting your film for direct distribution. (The amount of money your receive would be higher than going through an aggregator like Film Hub, but again, it might be easier to have one entity distribute it across all platforms.)



3. Youtube Filmmaker's account.  If you have at least 1000 subscriber's to your youtube account, you can charge a fee for people to view your content. Once you've attained the magic number of 1000 subscribers, you can offer you content worldwide and charge any fee that you think the market will bear for your film. 



4. Adsense. If you've signed up for adsense through Youtube, and are approved, you make money based on how many views (or minutes) people view your content. The move views you receive, the higher your paycheck.



4. Vimeo on Demand.  Vimeo is now offering to allow filmmakers to sell their content online for a $20 per month fee. The advantage here is that the first month is free, and while you're building viewership, you can also be putting up clips or trailers on your filmmaker account at youtube, vimeo and other places.

5. Itunes. Follow this link for a list of all the aggregators who work with Itunes. (And you'll find FilmHub as well.)  Itunes insists that their aggregators process your video and follow their guidelines, so if you want your content on itunes, you have to use an aggegator.  



The second most important item to focus on in your search for DIY distribution, is marketing and promotion.  If you can afford a promoter or marketer that you trust, that's the easiest way to go, as they will know the ins and outs of the marekt you're trying to crack.  But if you want to be a DIY promotion and marketing exec yourself - then the best way to do that is to research the field.

Look up other films that you might have paid attention to, or that you think are similar to yours.  See what kinds of methods others have used in social media.  We assume that by the time you're going into distribution, you've already exhausted the film festival route, but perhaps your title is so unique that it needs to be seen directly by the audience its intended for.



Find out where that audience is.  Is it online?  Is it part of a community? Is it something that you could advertise in a college newspaper, or in some other outlet that reaches your target audience?  (One filmmaker we know said "Most of my titles only play in prison, so it's hard to market that audience.  But I'm happy to know that they're trapped somewhere being forced to watch it."  We hope he was kidding.)

We live in a world where you can sell directly to your audience - you can market things directly to those people who would like to see them.  It's a matter of figuring out where your audience might be, and how to reach them.  It's best done in the hands of professionals, but if you're not financially able to reach out to those individuals, then the only thing you must rely on in your own intuition and ability to wave the flag for your film.



When all is said and done, no one cares more about your film than you do.  (Hopefully) So that makes you the best candidate to see it across the finish line.

And don't forget to thank us in your Oscar speech.



-- The DIY Film Fest team.

Monday

Back to School!!!

It's that time of year again... going back to school.


You might be going to film school for the first time.  

You might be going to film school for the last time.

You might be not going to film school at all....

A former DIY Film Fest winner
But something tells you to pick up your camera and document the world around you.

A former DIY Film fest winner
Or something tells you to pick up your camera and create a world that you see in your mind, a world that is a lighter, better place... or a world that is a darker, scarier place - either way, something compels you forward to write a story, or find a story, and then the passion to make that idea into a film.

You could be aiming for a long career in the film business, and looking for an outlet for your creativity.

Don't let that stop you.

A former DIY Film Festival winner, Cody Blue Snider
is directing feature films now.

There's a story about a great British filmmaker Alan Parker who "swapped the camera for the canvas." 

Former director Alan Parker
Alan Parker: ‘The last three years have been the most enjoyable of my life.’
Photograph: Rii Schroer/REX/Shutterstock

Alan Parker tired of trying to get his films made.  This is an award winning director who just got sick and tired of waiting for his calls to be answered or the phone to ring. So he went back to art school.

He'd already achieved the pinnacle of his career in the film business.  But wasn't being creatively fulfilled. He got tired of "playing the game." So he shifted gears.

After all, you can't keep filming up until your last day on the planet - although it seems as if that might be the case - but in general, there's a reason you want to keep creating, keep working at your creativity.

And in this case, the filmmaker learned how to silk screen.

And now his works are being exhibited in the best galleries in London.  He's that good at this new direction in his career.

If you think of film as an end in itself, once you get to the film, you're at the end.

If you think of film as an outlet for your creativity - then you're always at the beginning.

DIY Film festival winner Christine McCarthy

So pick up a camera, point it in a direction, see what moves you.  If you feel moved to document a story of someone you know and love, do that. If you feel the desire to document a story about someone or something that bothers you, do that as well.

In Sir Alan Parker's case, he grew tired of the process, but retained his passion for story telling.  Nowadays, that translates into "picking up a camera and telling a story about someone or something that moves you."
A DIY Film Festival winner

Late in life, the great director Sydney Pollack picked up a digital camera and made a documentary about his friend Frank Gehry. 

It wasn't a traditional piece, and it didn't follow a traditional release pattern of all the other films Sydney had made. Not mainstream. But mindstream.  It moved him, so it was worth his time and effort.

It was just Sydney and a tiny crew filming people he knew.  He didn't make it for money. He made it for fun.


You just never know what the end game is going to be, so follow whatever moves you.

If you feel the need to show a story that moves you, knowing that it will move others, do that.  Ask for help from your friends, colleagues, from your teachers.  The whole planet is your backdrop.  The theater is right in front of you.

Pick up the camera.

Make a film.

Tell your story.


*this feel good message about creativity brought to you by the DIY Film Festival, where we try to honor and focus on those films made outside any normal distribution system, done with a passion or desire to tell a story.*

Tuesday

DIY Film Fest is open for submissions!!!

Happy to announce that the 2017 15th Annual DIY FILM FESTIVAL is back online and open for submissions!

Please follow the instructions on how to submit to the festival at Without A Box.com

Here's the link:

https://www.withoutabox.com/03film/03t_fin/03t_fin_fest_01over.php?festview=1&festival_id=3915

As film provocateur Jean Cocteau once said:

"When the cost of making films is as much as a pencil and a piece of paper, then we'll find true art."



Monday

Congratulations to our 2017 Winners!!!!

We at the DIY Film Festival want to congratulate all of our filmmakers - those who completed films, those who submitted films, and those who've won their categories for our film festival.  We know how difficult it is to put dreams into film, and we honor all of you for making that decision to do so, and telling dramatic, funny or challenging stories about humanity. INTERVIEWS WITH THE WINNING FILMMAKERS CAN BE FOUND ON THE RIGHT PANEL (DIY Acceptance speeches!)

And the winners are: 


2017 DIY FILM FEST WINNERS



A still from "Birdman" by Yixing Li, Yixuan (Maisie) Luo



BEST FILM
“Birdman” Co-Directors Yixing Li, Maisie Luo  This unique stop motion film tells an unusual yet moving story of an Icarus like boy who wants to fly.  With breathtaking animation, heartfelt filmmakers Yixing Li, Yixuan (Maisie) Luo bring their fantasy to life. The film was made by an ELS grant from Idyllwild Arts Academy foundation. A film that shows great promise for its filmmakers. (CHECK OUT THEIR INTERESTING INTERVIEW ON THE RIGHT PANEL)


From "Birdman" from the Idyllwild Arts Academy 





BEST DIRECTOR
Ibrahim Nada for “Zaar” Student filmmaker Ibrahim Nada shows great dramatic promise in this film which features a young man on the brink of making a decision that will affect many lives, including ending his own. Something tragic has happened in his life, and he makes a decision to bring that tragedy onto a larger stage.  An excellent example of story telling that points to a larger truth. READ THE INTERVIEW WITH IBRAHIM ON THE PANEL TO THE RIGHT.

Ibrahim Nada, Director of "Zaar"




ZAAR Trailer from ibrahim nada on Vimeo.



BEST FEATURE FILM 
"Waiting on Mary" 
Directed by Corey Horton. “An actor in denial of his recent divorce retreats into the persona of a colonial scout and explores his new futuristic landscape.” An actor (Nathaniel Harrison) catches his wife cheating, goes into a catatonic state as a result, and creates a world of denial with hilarious results.  Great premise for a film. See the panel to the right for an interview with the director Corey Horton 


Waiting on Mary Trailer from Nathaniel Harrison on Vimeo.


BEST SHORT FILM 
"Greetings from Tinseltown"
Directed by Joe Warren and Nat Frum. "In Hollywood, a junkie looking for his next fix and a stoner Uber driver explore the grimy underbelly of the iconic American neighborhood." Cynicism at its finest – what it’s like to drive an Uber type car in L.A.  Dark, cynical and hilarious fun. Here's the Acceptance Speech from Joe Warren on behalf of him and Nat Frum... see their interview on the side panel to the right




Greetings from Tinseltown from Joe Warren & Nat Frum on Vimeo.


BEST SHORT DOCUMENTARY  
"Cycle of Change" 
Directed by Sarah Frei. "Moved by the lack of opportunity for women and youth in her community Reina, a young woman from El Salvador ventures to Guatemala to study pedal-power technology in hopes of finding her life purpose and changing the lives of the people in her community." Film demonstrates what people can do with a few tools and some ingenuity. An amazing documentary about people bettering indigenous lives in through technology. PLEASE READ THE INTERVIEW WITH FILMMAKER SARAH FREI ON THE PANEL TO THE RIGHT.







BEST DOCUMENTARY FEATURE
"Save Gangamaya" 
Directed by Gopal Shivakoti (Nepal) "A mother and father in Nepal go on a hunger strike to get justice for the murder of their son.  The authorities refuse to provide it, but after a hunger strike causes the death of the father, they’re forced them to investigate.”  When their efforts flag, his widow goes back on a hunger strike, using the protest tool of Gandhi to force local media and leaders to finally hear her protest.  Hard to turn away from this mother's plea.


Save Gangamaya (Trailer) from Gopal Shivakoti on Vimeo.



BEST ANIMATED FILM
"Birdman" 
Directed by Yixing Li, Yixuan Luo (Maisie)   
"A young man dreams of flying with his own wings. He builds a cottage, studies birds, repeatedly jumps off a cliff with artificial wings. But his last jump brings an unexpected result.” Brilliant stop animation shows how any story can grab the heart and soar when talent matches their vision. 


Still from "Birdman"




BEST STUDENT FILM



"Zaar" 
Directed by Ibrahim Nada "A suicide bomber enters a diner to blow himself up but as he listens and interacts with the innocent people around him, he begins to question his decision." Powerfully filmed and acted, Nada brings us to the edge of our seats with this searing drama about a man at the end of his rope.







WORLD CINEMA  
"Day Off" 
Directed by Aidin Pedari (Iran). "A young pizza delivery man takes a day off to go out with his dying dog, then he faces surrealistic and poetic moments around him." Tragic and elegaic, filmmaker Pedari takes us on a heartbreaking tour of inner and outer beauty of his home town of Tehran.



Day Off Trailer (directed by aidin pedari) from Aidin Pedari on Vimeo.


JURY PRIZE
"Confidence of a Tall Man" - Feature Film Drama
Directed by Michael McCallum
"On the 50th Anniversary of his father's failing business, Tommy has a lot on the line. He's hoping to get interested parties to take it off of his hands." Michael McCallum is a prolific filmmaker from the midwest, who brings another tale of blue collar woe to life, calling upon locals, friends and himself to populate his latest midwestern opus. INTERVIEW WITH MICHAEL ON THE PANEL TO THE RIGHT.



Confidence Of a Tall Man - Teaser from Michael McCallum on Vimeo.


This year we're going to post filmmaker interviews with each of the DIY filmmakers that are available to do so, to share what their journey has been to complete their films, why they made this story, and how they feel about their finished projects.

As mentioned, each winner will be awarded a certificate from the DIY Film Festival, an editing package courtesy of Pinnacle Editing systems, and each film is eligible for digital distribution through KinoFilm, one of the best digital distributors out there. 

Stay tuned for more information and the interviews with the filmmakers!  


Congratulations to all of you!!!








Sunday

The List of Finalists for the 2017 Film Festival!

First we'd like to thank all the filmmakers who have submitted their films to the DIY Film Fest!


Looking for the right shot.
We do our best at the DIY Film Fest to honor films from across the globe that embody the spirit of the festival - just picking up a camera and filming something that moves them.

Each year, we get submissions from across the globe, and this year was no different.  We have entries from Lebanon, Iran, India, Bulgaria, Guatemala and Nepal - from New York to California and all points between. It's thrilling to see the depth and breadth of the stories submitted.


High fins all around.

2017 DIY FILM FINALISTS

FEATURE FILM:

"Waiting on Mary" - Comedy
Directed by Corey Horton. “An actor in denial of his recent divorce retreats into the persona of a colonial scout and explores his new futuristic landscape.” 

"Come to the Show" - Comedy
Directed by Jigmae Baer “A couple of bored punks decide to go on a crime spree in New York's underground art scene and accidentally summon a demon.” 

"Confidence of a Tall Man" - Drama
Directed by Michael McCallum. "On the 50th Anniversary of his father's failing business, Tommy has a lot on the line. He's hoping to get interested parties to take it off of his hands."

SHORT FILM:

"Monster Monster"
Directed by Kuan-Fu Lin. "While building models, a nerd, Gary, accidentally spills toxic glue on his favorite T-Rex with disastrous results.”  

"Cooties!"
Directed by Lizze Gordon. "Circle, circle. Dot, dot. Don't forget your Cooties shot."

"Greetings from Tinseltown"
Directed by Joe Warren. "In Hollywood, a junkie looking for his next fix and a stoner Uber driver explore the grimy underbelly of the iconic American neighborhood."

"Thirst"
Directed by James Durham. "In a post-apocalyptic world where every drop of water could be their last, a young girl and her uncle struggle to survive against all odds."

"Thank you Lisa"
Directed by Roy Arwas. "Lisa follows her terminally ill mother through her last day and has to come to terms with her decision to help her mother end her life by physician's assisted suicide."

DOCUMENTARY

"Cycle of Change" 
Directed by Sarah Frei. "Moved by the lack of opportunity for women and youth in her community Reina, a young woman from El Salvador ventures to Guatemala to study pedal-power technology in hopes of finding her life purpose and changing the lives of the people in her community."

"Save Gangamaya" 
Directed by Gopal Shivakoti   "A mother and father in Nepal go on a hunger strike to get justice for the murder of their son.  The authorities don’t want to investigate, but the death of his father forces them to investigate.  When their efforts flag, Ms. Gangamaya Adhikari goes back on hunger stike, determined to follow her husband as local media and leaders try to talk her out of her protest.

"Rami"
Directed by Hassan Fouad. Documentary shot in a Palestinian refugee camp in Lebanon. "A handicapped refugee establishes a sports club in the Buss Refugee camp where he trains three generations of footballers, some of them who have become stars in the Lebanese football league." 


ANIMATED FILM

"2 Guineas"
Directed by Brett Guida, Albert Oppedisano
"Two skinny guinea pigs prove they have what it takes to climb up the ranks of the mafia underworld." 

"Birdman" 
Directed by Yixing Li, Yixuan Luo (Maisie)   
"A young man dreams of flying with his own wings. He builds a cottage, studies birds, repeatedly jumps off a cliff with artificial wings. But his last jump brings an unexpected result.


"The Grid: Zombie Outlet Maul"
Directed by Linda Andersson. "Electrical devices come to life after a nuclear power plant explosion." 

STUDENT FILMS

"A New Promise" 
Directed by Christina Dodge. "A young woman makes a innocent mistake while trying to navigate the process of figuring out what is best for her."

"An Ancient Problem and a Young Man" 
Directed by Yixing Li.  "A young man confronts with the old question 'Why and how should one live?' He struggles to find the answer.  

"Human Sexuality" 
Directed by Vivian Zingleman  "An infatuated college student recounts his awkward love story to his best friend."   

"Zaar" 
Directed by Ibrahim Nada "A suicide bomber enters a diner to blow himself up but as he listens and interacts with the innocent people around him, he begins to question his decision."

WORLD CINEMA

"Ants" 
Directed by Stoyan Nikolaev (Bulgaria) "He is 64-year-old gipsy, she is 74. In a Black sea village they met at old age for a long and happy life."

"Phantasmagaoria"
Directed by Baha Jamali (Iran)  "A man breaks up with his girlfriend, then experiences what might have happened had he spoken differently."

"Day Off" 
Directed by Aidin Pedari (Iran). "A young pizza delivery man takes a day off to go out with his dying dog, then he faces surrealistic and poetic moments around him."


CONGRATULATIONS TO ALL OF THE FINALISTS!

This year, our 14th year as a festival, we've made the decision to go entirely online with submissions and honoring the filmmakers. In lieu of a year-end-party that was difficult, if not impossible to gather filmmakers from across the globe, all winning entries will be featured online, and if possible, the trailer or winning films itself (if the filmmaker desires) will be posted. We will also explore the story of how their winning film came into being. (Their "acceptance speech" will be excerpted in the online description of the films.)  

We will be asking winning filmmakers who should be thanked in public, but also the story of how their film came into being - as sometimes that story can be as fascinating as the film itself.  By having the filmmakers share their story - the way they would at any podium - gives everyone a chance to experience and share in the thanks and credit of those who helped make the film. It's an unusual solution to the age old question of how to honor do-it-yourself filmmakers in a do-it-yourself fashion. 

Prize winners will be announced soon or by the end of the month. Their individual replies (acceptance speeches/stories) will be edited and posted along with the results as well. (Depending on the editing process).

As in previous fests, the prize winners will be awarded editing software from Pinnacle Editing Systems (an excellent beginning editing software that is easy to use, and if the filmmakers want to donate their software to a school or another filmmaker, they have the option to do so). (As noted below, Pinnacle is not a "sponsor" of the festival, and is not involved with the choice of finalists. However, they generously donate their software for us to distribute to the winning entries.) All Winning films are eligible for distribution through our sponsor KinoNation and all winning films will receive a suitable-for-framing winner's certificate.  

Again, thanks for submitting to the festival, and we wish you the best of luck with your film and your career. If you're film didn't make the finalists, it's likely because of the crowded entry in its field, but there are many outlets, many festivals, and we encourage filmmakers to seek them out as well. We encourage everyone to take up their camera and begin to document/tell a story that moves you, that comes from the heart, that can move other hearts and minds as well.





Monday

Moonlight Wins Best Picture at the Oscars!

Kudos to Director Barry Jenkins and co-writer Tarell Alvin McCraney the cast and crew involved with making the film "Moonlight."



It's a historic film for many reasons, but we at the DIYFilmFest want to honor it for it's DIY roots.

The director Barry Jenkins and the playwright Tarell Alvin McCraney are from a small community on the edge of Miami. The film was shot in 22 days, for a reported budget of 1.5 million. (IMDB lists it as 5 million, but the quote comes from the director.)

The film has already won many awards, aside from Best Picture at the Oscars.  The co-writer Tarell Alvin McCraney is a playwright, whose work has been onstage in Chicago and is also Winner of a 2013 MacArthur Foundation Fellowship.

Here's an excellent interview by Terry Gross and "Fresh Air" where they talk about the genesis of this film, and how it came into existence.

It's 40 minutes, and if you're curious as to how someone goes from telling a true life story to winning the Oscar, it's worth a listen.

It's a true do it yourself film experience, and should remind all filmmakers that everything begins with a good story, a point of view, or something in the heart that needs to be shared. 

Congratulations to Barry Jenkins and Tarell Alvin McCraney and all those who worked on this low budget film for bringing this story to the screen!

Thursday

The Clock Is Ticking!

We've reached the end of the submission period for this year's annual festival...

Happy to report we have films entered from 
France, Egypt, Australia, the UK, Bulgaria, Lithuania, Romania, Lebanon, Spain, Iran, Canada and the good old US of A made in 2015/16.

All immigrants are welcome!, all are invited to submit to the Do It Yourself Film Festival.  (And since it's an online festival, there's no stress over trying to get into or out of a country.)

We are in our 14th year, about to hit 15 years as a film festival, honoring the very best in Do It Yourself Filmmaking.

A few titles are still trickling in, but the submission period for the 2016 awards has been closed... (to open again April 1st).



We are in the process of going through all the films, and we thank you for considering us in your submission.

Many of our filmmakers have gone on to have careers in Hollywood, DIY Film Fest Winner ("All That Remains" 2011) Cody Blue Snider is directing his first feature film as we speak. Go Cody! (Directing "Right Hand Guy") and recently shot amazing footage from the heart of the battle for fresh water on the front lines of #NoDAPL where he shot a music video for his dad, Dee Snider.



The point of this festival is to honor those who feel compelled to pick up a camera and tell a story.  There is a place in the vast market of filmmaking to speak your voice, to tell your story.  

Just because we love Cody and his film, here it is again.... something to aim for when we pick up our cameras...




People don't always pick up a paintbrush to pay the rent, but sometimes when they create something memorable, it turns out to be the thing that does pay the rent. But the act of art is an act of creativity, and we celebrate everyone who picks up a camera and records part of their life.

DIY Filmmakers; we honor you!  

If you've submitted a film that didn't make the deadline, it will be considered in next year's festival.  Stay tuned for the finalists which will be posted here as soon as possible...

Please keep your DIY flag flying high.

And finally, from a couple of years ago, here's the film that won for best documentary. It was shot in Syria in the midst of the ongoing war.  We have no idea if these filmmakers have become refugees, or were able to find their way out of this mess, but we applaud them for documenting the world around them....

Once again, "Not Anymore, A Story of Revolution" 2014 winner by Matthew VanDyke .... Winning Entry for Best Documentary.




(All entries need to go through Withoutabox.com - however if you have trouble with submissions, or difficulty exporting your film, contact us via email at diyfilmfest (at) yahoo (dot) com)