GE Focus Film Festival Winners

GE has sponsored some great films for various film festivals.  We like to showcase the latest in great short story telling, if only to inspire our many DIY Filmmakers to enter into these festivals.  All that's required is an imagination.

We came across this film today, which may very well point to a revolution in technology.  It's worth looking into, but more importantly, the film tells a story, and it may change the lives of many who see it.  Worth noting, and keep up the good work DIY Filmmakers worldwide!!!

And here is the grand prize winner from the GE FOCUS FILMS WEBSITE.

CYBORG FOUNDATION | Rafel Duran Torrent from Focus Forward Films on Vimeo.

FOCUS FORWARD FILMS

Alumni News!

2011 Festival winner CODY BLUE SNIDER has made a new short film FOOL'S DAY that made it into the Tribeca Film Festival and into this year's Cannes Film Festival!!

Yay Cody!

Cody Blue Snider

For those who would like to view his winning entry from 2011, here's the trailer:

Local Filmmaker Premieres New Film at Tribeca Film Festival

Cody Blue Snider’s latest film is “Fool’s Day.”

By Christine Sampson (Editor), 2 weeks ago

Filmmaker Cody Blue Snider (Photo Credit: Nick Sambides Jr.)

Thugs jumped him, took his phone, and tried to take his wallet. But more importantly, they didn’t get his movie.

That’s what happened to local filmmaker Cody Blue Snider the night he wrapped up his new film, “Fool’s Day,” at a studio in New York City a couple of weeks ago. He had just finished the conversion of the final film into the digital format required for screenings and had the hard drive in his backpack. “Have you ever had anything that doesn’t feel real? You go into autopilot,” Snider said in an interview with Patch. “I was just glad I didn’t get stabbed.”

“Fool’s Day” is Snider’s second film, following “All That Remains” (2011), which the Three Village community saw at the Stony Brook Film Festival that year. “Fool’s Day” made its world premiere on April 18 at the TriBeCa Film Festival – and will be screened at the Cannes Film Festival later this year.

Snider said he is incredibly excited to be screening at both festivals, but hasn’t let the success go to his head.

“It’s the most satisfied I’ve ever been with a project of mine,” he said. “Still, there’s so much room for improvement. At this point I can look at it and I can be happy because the essence of it is there.”

“Fool’s Day” tells the story of a mischievous class of elementary school kids who play a trick on their teacher. We’ll just tell you the film’s tagline – “Murder. Mayhem. Recess.” – and not much more, lest we spoil the film for you. View the trailer here. The film is co-written by Cody Blue Snider and his brother Shane Snider, both sons of rock star Dee Snider.

Snider and his crew turned to Kickstarter.com to raise more than $10,000 needed to make the film, which they shot in one week with one camera before spending nearly a full year editing.

He said he is on his third draft for a feature-length version of “Fool’s Day.” Sometimes, he said, short films get made into features because they portray enough of the filmmaker’s vision to prove to studios and producers that they are worth it. “Sling Blade” (1996), the brainchild of Billy Bob Thornton, is one example.

“You can use that launch pad to make a feature,” Snider said, “because you can’t show them your passion. You can’t show them what’s in your head.”

and here's the trailer for "FOOLS DAY" from his successful Kickstarter campaign site:

Our New sponsor Pinnacle and Documentary "Fair Use" Laws

Tales from the Lonely Road of a Filmmaker.  There is some much needed help in the legal arena for documentary filmmakers!!!

The Lonely Road of a DIY Filmmaker. Fair Use up ahead.

DIY Film Festival attended the IDA (International Documentary Association) evening that defined "Fair Use" for filmmakers. (Lots of resources for documentary filmmakers on their web page).

For detailed information about Fair Use in copyright law please visit

www.centerforsocialmedia.org/fairuse.htm

In a nutshell, a consortium of law firms, and University law professors who help documentary filmmakers, have successfully got an exemption from the DMCA (Digital Media Copyright Act) for DOCUMENTARY FILMMAKERS to use certain items that used to be difficult to use.  As long as the clip falls under the "Fair Use" category (defined on their website) you can use any photograph that is obtained online in your documentary, and any film clip as long as it is being used for "commentary or criticism."

The last two are explained on their website

For those who need clips that they can only find on youtube, or by ripping it from a DVD (which is technically illegal, unless you follow their protocols as described on their website), it is now legal to use clips or photos, music, or other hard to obtain materials for your documentary if it falls under the "Fair Use" regulations ("for purposes of commentary or criticism").

Because boring would be bad filmmaking

DIY Film Fest is not dispensing legal advice, but this is a DIY documentary filmmaker's advice place, so please go to their website to understand clearly what the law says or consult an attorney well versed in it. (These folks helped filmmakers use the law with the recent hits "Room 237" and "Catfish.")  But it's good news for documentary filmmakers who want to use a clip they thought they'd get in trouble for under the "Fair Use" rules.  Worth checking into.

They'd like to hear your tales of woe

They're also asking for filmmakers to help them in their next exemption challenge, which happens every three years.  So if you can detail how and why it was difficult for you to get information for your documentary (in terms of being hard to rip the DVD, or use of a film clip was onerous) they'd like to hear from you.






And now.. a word from our new (old and new again) sponsor Pinnacle...

They're now part of the Corel Family of products, after spending some time under the AVID umbrella.

They're a "do it yourself" editing software, which has some excellent codecs, and can be used by the beginning filmmaker up to professionals who need a laptop PC based system.

The software is affordable, and for those who've used the Microsoft free software, this is a step up. Needless to say, the more you use it, the easier it becomes.  Onwards and upwards!!! Stay tuned!

DIY FILM FEST GALA 2013

Thomas Dolby scoring, narrating and playing "The Invisible Lighthouse"

The 11th Annual DIY Film Festival celebrated its winners and honorable mentions in the Academy Room of the Roosevelt Hotel on Friday night.

Site of the original Academy Awards, the room was treated to an unusual event; a live performance by Thomas Dolby while screening his award winning "The Invisible Lighthouse" film.

Bruce Haring announcing the winners of the Los Angeles Book Festival & DIY Film Festival

Winner of the Best Director and Best Short Documentary categories, Thomas Dolby performed live in front of a crowd that included the winning authors for the Los Angeles Book Festival.  It was an amazing performance, part reminiscence, part sound effects, part singing - the performance seamlessly went between the filmed on camera presence of Thomas Dolby and the performer playing keyboards and speaking in front of the audience.

An avant-garde foray into the original performance/visual event that films once were, with a live performance on a Wurlitzer or other instrumental while the film ran above the orchestra, this was a perfectly time masterful examination of the performer's life - the town in eastern england on the shore where he grew up, the lighthouse that became part of his memory, whether real or imagined, the history of his family who had been in Suffolk for centuries.

Thomas Dolby interacted with himself on the screen at various times.

Plus the inventive story telling, which included CGI, flying cameras, negative images, sunsets that evoked fires - the visuals complemented the story telling, and the story telling enhanced the visuals, while the music and sound effects tied it all together into one masterful, standing ovation receiving performance.

Watching the live performance

As Jean Cocteau, the avant-garde artist and filmmaker once comments; "When the cost of filmmaking is as much as a pencil and a piece of paper then you'll find true art."  We at the DIY Film Festival have adopted that as our motto, and probably never experienced a more pure form of it than in Dolby's "The Invisible Lighthouse" film/performance.

Dolby plans to tour with the film in live performance, so look for it in a theater near you.  He's planning two nights here at the American Film Institute in Los Angeles, so there may be a chance to still get tickets.

We also honored some of the other films and filmmakers, some who could not be in attendance.  The audience was treated to a trailer of Daniel Schmidt's "Inner Worlds, Outer Worlds," and we screened Harrison Allen's "How Not To Rob A Bank" which had the audience roaring with laughter.  (Check the film on the panel to the right, there are clips from all of the films and honorable mentions).

Clip from Daniel Schmidt's Best Film, Best Doc "Inner Worlds, Outer Worlds"

  Also screened and honored were the filmmakers behind "Disconnection" - Writer/Producer/Star Kristine Gerolaga, and Director Steven Krimmel.  Also on hand was her co-star Ben Winston.

Ben Winston, Steven Krimmel & Kristine Gerolaga of "Disconnection"

Finally, Josh Wick from "Francis of Brooklyn" was on hand as well as some of the behind the scenes folks from his film, including his star Mig Feliciano.

Josh Wick and Mig Feliciano of "Francis of Brooklyn"

Josh explained that the film is actually a reworking of the "Francis of Assisi" story - revealing that Francis had returned from being in a war in Italy, had eschewed all money, taken the robes of a monk, and changed Christianity.

Josh Wick and pals from "Francis of Brooklyn"

In like form, Francis of Brooklyn is about an Iraq/Afghanistan war veteran who returns and has an apotheosis that forces him into the streets of New York, along with some of the many other veterans who are suffering from PTSD.  But is it stress related? or is it a religious conversion?  And what does that mean to the average person who wants to practice Christianity?

Steven Krimmel Director, Writer/Producer/Actress Kristine Gerolaga
from "Disconnection"

A good time was had by all

Josh and the other filmmakers were awarded software from our new sponsor Pinnacle, now a division of Corel.  The company graciously awarded each winning filmmaker with their latest in home editing software Studio 16, a state of the art editing system developed with Avid codecs and technology.

Here's a pice of some of the winning filmmakers and authors from the Los Angeles Book Festival and DIY Film Festival.  For clips from the winning films, please look to the panel to the right... ----------------------->

Congratulations to all the winners!!!!

The Results are in...

CONGRATULATIONS TO THE FILMMAKERS!!!!

We at the DIY Film Festival are proud to announce the WINNING FILMS and HONORABLE MENTIONS for the DIY FILM FESTIVAL 2013

THE DIY FILM FESTIVAL GALA IS ON MARCH 8TH AT THE ROOSEVELT HOTEL.

The filmmakers will be notified by email how to get tickets for the Gala event where we will screen the films, the feature length films will show trailers, the shorts will be shown in full (and the features and some of the shorts will be seen during the year when we have our festival screenings)

DRUM ROLL PLEASE.....

CONGRATULATIONS TO ALL THE FILMMAKERS!!!

BEST DIRECTOR:  THOMAS DOLBY FOR "THE INVISIBLE LIGHTHOUSE"

An elegiac film about a lighthouse that comforted the musician and filmmaker as a child; Thomas Dolby's debut film "The Invisible Lighthouse" is a haunting examination of a lighthouse on the coast of Suffolk in East Anglia, and the ancestral home to his family.  Part musical, part historical journey, a journey of the heart, done by a filmmaker who expands the boundariess of DIY filmmaking. 29 minutes.

BEST PICTURE - DOCUMENTARY FEATURE - "INNER WORLDS, OUTER WORLDS"

An elegiac look at the birth of the Universe, at the birth of consciousness, at why we’re on the planet, and how that came to be.  Stunning visuals from Director Daniel Schmidt from Canada, 118 minutes.

Documentary Feature

HONORABLE MENTION DOCUMENTARY FEATURE - "CARDBOARD BERNINI"

“Cardboard Bernini” is a fascinating portrait of an artist who has spent a lifetime creating art, including a woodcut print for an iconic Jethro Tull cover and recently has become a virtuoso working with cardboard.  "As an artist you're always on the precipice of disaster. It's how you get out of the pit that defines who you are." Directed by Olympia Stone.  76 minutes.

HONORABLE MENTION - DOCUMENTARY FEATURE - "WAR ON HEALTH"

Prolific filmmaker Gary Null takes on the FDA takes on the FDA with another incendiary documentary that exposes some horrific practices done in the name of our health.  Directed by Gary Null.

HONORABLE MENTION - DOCUMENTARY FEATURE.  “CALABRIA TO CALIFORNIA” 

Film tracks the journey to find the family roots – and follow an Italian family from Calabira, Italy wound up in California.  Also a graphic demonstration of how food is made at home and on the farm in Italy, and how we’ve lost touch with what it means to grow our own food and to honor great quality. Submitted by Jennifer Kendzior from France.  

Student Short film

BEST STUDENT SHORT - 'STRAY"  

Two best friends in high school, one goes to college, the other stay behind and gets involved in drugs and the thug life.  When the friend returns, he’s swallowed up by the events that follow in this well acted, well directed short.  Directed by Brendan Dean. 28 Minutes.

HONORABLE MENTION - STUDENT SHORT - “BOOKSTORE”

A funny look at a Bookstore in a high school, shots by students in that high school.  Like “The Office” the “Bookstore” is a place ripe for comic spins and romantic entanglements. Shot at LA's own Harvard-Westlake, 18 minutes. Submitted by Alexander Haney.

HONORABLE MENTION - STUDENT SHORT - "STATUE"

A mime who covers himself in silver paint is beset by revelers in New Orleans.  However, he strikes up a non verbal friendship with a guitarist on the same block.  10 minutues, Directed by Andrew Bryan.

HONORABLE MENTION - STUDENT SHORT - "BLACK"

A new take on an old genre – black and white journey into a detective’s world – there’s a dame and a murder and someone’s gotta fall – nicely done potboiler from our friends at LMU film school.   Mason Howard, 15 minutes.

Dramatic Short

BEST DRAMATIC SHORT - "DISCONNECTION"

“Disconnection” is a tale told through web cams.  Phone rings late at night, his girlfriend is missing him. Then she calls back after a dropped connection – it’s the middle of the day. Is he awake? Is he dreaming? A clever and surprising journey into an online relationship. Submitted by Kristine Gerolaga, Directed by Steven Krimmel 10 minutes long.

HONORABLE MENTION  - DRAMATIC SHORT - “THE DROP”

based on a true story.  A blind student trying to learn his way in a sighted world, he’s dropped off on one side of Philadelphia and he has to find his way home – on his own. Written by Marvelyne Engel. Co-Directors: Crystal Clear, Martha Minuzzi 7 minutes.

HONORABLE MENTION - DRAMATIC SHORT – "LONG DAYS AFTER"

Beautifully shot short film where a man goes out into the world as if it’s a typical day. But for some reason there’s no one else left on the planet, so he’s spending his last day on Earth trying to do the same things that he used to do.  Submitted by Noel Taylor, 28 minutes.

HONORABLE MENTION - DRAMATIC SHORT - "WELCOME"

Firmly in filmmaker David Ayer ("End of Watch") territory, this short film is shot in the barrio where a young latino has to decide to join a gang or not.  When he realizes it’s the gang who shot his mother, his fate (and their fate) is sealed.  Submitted by Max Loera, 11 minutes.

Comedy Short

BEST COMEDY SHORT - "2ND AVENUE"

Very clever story told through music and google maps – where two characters meet in NYC and use the tiny little yellow men of Google Maps to help them find each other. Submitted by Joe Gabriel, 3 minutes 15 seconds.

HONORABLE MENTION - COMEDY SHORT - “EVIL” 

"Evil" tells the tale of an elderly gent who is hunted by the Four Horsemen of the Apocalypse. Turns out that he’s Mr. Evil himself. Only this old gent has mellowed with age, and he’s not entirely sure he wants to see the planet disappear as predicted in the Bible. Submitted by Director Brendan Dean, 26 minutes.

HONORABLE MENTION -COMEDY SHORT - "WE THINK NATE TORRENCE IS DEAD"  

Shot on his cell phone, this creepy yet funny film follows a comedian as he makes a fateful stop in the mountains.  Starring and directed by (and shot on his own cell phone cam) Nate Terrence. 23 mins.


Animated Short

BEST ANIMATION SHORT - "HOW NOT TO ROB A BANK"

Legos on the rampage wind up robbing a bank.  Hilarious caper film by Harrison Allen. 5 minutes 30.  This is one hilarious romp for anyone who has ever enjoyed Lego's - and a brilliant story, well told.  Destined to be viral.

HONORABLE MENTION - ANIMATED SHORT - "ROCK 01"

 In a world in the future, a robot trying to survive a cruel planet, winds up in a position to save his planet. Fun innovative animation as robots battle for the planet’s future. Submitted by Erdi Yao from Brooklyn. 7 minutes.


Documentary Short

BEST DOCUMENTARY SHORT: "THE INVISIBLE LIGHTHOUSE"

An elegiac film about a lighthouse that comforted this musician and filmmaker as a child; Thomas Dolby's debut film "The Invisible Lighthouse" is a haunting examination of a lighthouse on the coast of Suffolk in East Anglia, ancestral home to his family.  Part musical, part historical journey, a journey of the heart, done by a filmmaker who expands the bounds of filmmaking. 29 minutes.

HONORABLE MENTION - DOCUMENTARY SHORT - "I IS ANOTHER"

A filmmaker with agoraphobia (fear of open spaces) makes a film about it and forces herself into a new phase of life.  She's finally able to get out of her apartment, if only to make this film about her journey outside.  Kelly Donnellan, 40 minutes.

HONORABLE MENTION  - DOCUMENTARY SHORT - "TEAL DIVA"

Insightful look into women dealing with Ovarian cancer and how they learn to cope with it by learning to share their stories with each other. Directed by Brady Bigalke.

Feature Drama

BEST DRAMATIC FEATURE - "FRANCIS OF BROOKLYN"

Veteran returns from the war a damaged individual. Violent, angry, he has an apotheosis and becomes non violent and joins a Christian community. He has his own conversion in this well shot, well acted feature. Josh Wick. 107 minutes.


World Cinema


BEST WORLD CINEMA - "ELEGY FOR A REVOLUTIONARY"  

A couple of young men living in apartheid South Africa have to decide to join the revolution.  One is imprisoned and tortured until he gives up the name of his friend.  When he’s released, he avenges his friend and in so doing saves him. Submitted by Director Paul van Zyl of South Africa. 22 minutes.

Jury Prize


JURY PRIZE - CINEMATOGRAPHY - "NILE PERCH"

A film that feels like it was found from the earliest days of filmmaking.  An elegiac study of the life of a river perch, and how it goes from central Africa to markets in Europe. Directed by Duke University's Josh Gibson.  Shot on location in Lake Victoria, 17 minutes. Josh won an award at Slamdance this past year.

THE DIY FILM FESTIVAL GALA WILL BE AT THE ROOSEVELT HOTEL ON MARCH 8TH!!!
DETAILS TO FOLLOW....

DIY Film Festival Gala

We'll be celebrating the DIY Film Fest this year at our annual gala at the Roosevelt Hotel on March 8th in Hollywood.

Stay tuned for how to get tickets to the gala where we will be showing a smattering of short films and excerpts of the feature films.  We have a full slate and some terrific films and are just gathering together all the final elements that come into the festival..  The deadline for submissions has come to an end for this year's festival, however, if you've submitted your film after the deadline, never fear, it will roll into the following year's festival.

We here at the DIY Film Fest are grateful for your hard work and submitting your film to the festival, and encourage you all to continue to wave the flag of DIY Filmmaking - we are no longer limited by our ability to make films, only by our imagination.  "When the cost of making a film is as much as a piece of paper and a pencil, then we will find true art." Filmmaker Jean Cocteau

Finalists will be announced this weekend and thanks for stopping by!!!!

Sundance Winners!

It's time to acknowledge those films that have risen to the top of their field - from what was once an independent film festival to the premiere stateside show biz extravaganza El Sundance.

DIY Filmmakers take heart.  Examine these winners.  Check out the subjects of their documentaries, search their titles and read up on what they were about - watch their trailers.  Why were they chosen? Why did they win the awards?  It's a good example of how to focus on a topic, or capture the imagination.

Certainly, the preponderance of celebrities (whatever that means) making films alters the landscape.  Having a person with national awareness brings more awareness to your project.  This of course, doesn't apply at all to the filmmakers who made "Beasts of the Southern Wild" - as they ignore that altogether completely and still have risen to the top.  So it's wonderful if you can invite a person of notoriety to be part of your film - but it's key that your story is compelling, whether scripted or not.

The trick is to make a film that a star or celebrity wishes they were in, or wishes they knew the filmmaker who made that.  The same is true for documentaries - the more interesting, arresting, different the topic - the more that it's ripped from the headlines and your heart, the further along it goes.  You can see from the films that won in the documentary category - the topics make a viewer say "I'd like to see that."

And so it goes.  We're reproducing the winners list for SUNDANCE in its entirety, so you can examine what works and what doesn't (in case you haven't already checked this out, or are just returning from there!)

The DIY Fest is coming to the end of its annual cycle for film submissions - ANYONE'S FILM THAT DOESN'T MAKE THE DEADLINE WILL BE CARRIED OVER TO THE NEXT YEAR'S DIY FILM FESTIVAL.  We have had winners come from that bunch as well - they submitted it later on, and by the time we got around to honoring it, it had already won many awards. But awards are awards.  It's great to acknowledge hard work that jumps off the screen.

We are compiling all our finalists as we speak.  The notice will go to individual filmmakers and be posted here.   Then, closer to the end of February, the final finalists will be announced, invitations to attend the gala will be sent along, and at the gala, the winners will be announced.  At the gala we will be watching the winning short films, and excerpts of the winning feature films, which are then shown at DIY Film Festival nights during the year.

Good luck to you all!

The DIY Film Fest

THIS JUST IN FROM SUNDANCE..........................................

Winner of the U. S. Grand Jury Prize: Dramatic:

Fruitvale, directed by Ryan Coogler

Standing ovation from a large portion of the crowd.

Coogler again brings his crew and cast up with him.

Coogler, nervously petting his head: “I’d like to thank all of those people again” that he thanked for the audience award. “David Lowery, stand up for me man. We formed crazy relationships with people in the labs, and at this festival. At the end of the day, when I first made this project, it was about humanity, and how we treat the people we love most and the people we don’t know. To get this means that this film made a powerful impact. This goes back to my home, the Bay area, where Oscar Grant lived for 22 years. I can’t wait to see you all when this is said and done and I’m more articulate and not so emotional.”

Gordon-Levitt concludes the ceremony, thanks us all, and sets the party part of the evening off. To recap, that was a double win, Audience and Grand Jury Prizes for both US Documentary Blood Brother and US Dramatic Film Fruitvale. Thanks to everyone out there who followed along on Sundance.org.

Winner of the U.S. Grand Jury Prize: Documentary:

Blood Brother, directed by Steve Hoover

Hoover: “Sorry I might cry a little bit.”

Rocky, the film’s subject: “Man it is so encouraging. For the kids, that is so awesome. Because they’re lives are so challenging. And no one remembers their names. To take their stories and everyone can see them.”

Hoover: “Seeing Rocky’s life blew me away. Can’t wait to see the difference we can make in the world because of this.”

 Gordon-Levitt introduces juror and former Fox Chairman Tom Rothman.

Rothman: “I was at the very first festival, and it was just like this,” he says sarcastically. “For sure. Alright. Now, the big enchilada. For those who think that films can’t make a difference in the world, I present to you…”

Winner of the Waldo Salt Screenwriting Award: U.S. Dramatic: 

In A World…, written by Lake Bell

Bell, in a black leather dress and updo: “I think I might be Polish,” patting her heart. “I guess I’m going through puberty as well. Thank you Sundance for giving me continued encouragement to have the balls to do this.”

Gordon-Levitt: “I saw that one too. Really fucking good.” Then introduces juror Liz Garbus.

Winner of the Directing Award: U.S. Documentary:

Cutie and the Boxer, directed by Zachary Heinzerling

Heinzerling: “So many people to thank, unfortunately most of them are back home. I drove most of them crazy – this took about five years.” Thanks his mom and dad, and the two main subjects of the film. Thanks those who gave the film money, which was funded purely on grants.

Gordon-Levitt introduces juror (and filmmaker and actor) Ed Burns, whose The Brothers McMullin won here in 1995.

Burns: “It has been a long time” since I’ve been here “and it has been ten great days.”

Winner of the Directing Award: U.S. Dramatic:

Afternoon Delight, directed by Jill Soloway 

Soloway sings Hava Nagila, echoing/calling back to Sebastian Silva. “Guys this crazy.” Thanks her producers, her cast and crew. “I want to thank some of the other lady directors who are here. We‘re all out there together exposing ourselves, and I love you guys.” They’re all heard hooting and hugging back stage after they leave.

Gordon-Levitt introduces juror Davis Guggenheim.

Guggenheim: “It was a profound experience to share this with my fellow jurors. This film shook us to our core.”

Updated 8:19 PM

Winner of the Audience: U.S. Documentary:  

Blood Brother, directed by Steve Hoover

Hoover: “I understand this whole heart beating thing. It’s been great to connect with you guys with this thing.” All of our profits are going to help Rocky and his efforts against orphans with H.I.V.

Winner of the Audience Award: Dramatic:

Fruitvale, Ryan Coogler

Coogler ascends the stage with over a dozen cast and crewmembers: “I can’t say enough what an incredible experience going through the labs was.” He also thanks his fellow filmmakers for how they’ve affected his life. 

“I fucking loved that movie,” says Gordon-Levitt.

Gordon-Levitt introduces juror Diane Weyermann, the former Director of Sundance Institute’s Documentary Film Program and currently Participant Media’s Executive Vice President overseeing documentary production, executive producing such Sundance hits as An Inconvenient Truth, Chicago 10 and Waiting For Superman.

Winner of the U.S. Documentary Special Jury Award:

Inequality for All, directed by Jacob Kornbluth

Kornbluth: “An honor to have worked with such an amazing person as Robert Reich.” Hoping Reich’s ideas get out into the world. Thanks his wife who’s carrying “our unborn child in your womb.”

Winner of the U.S. Documentary Special Jury Award:

American Promise, directed by Joe Brewster and Michèle Stephenson

Brewster: “Michelle you’ve been my spokesmodel for 13 years” and asks here to accept for the film. Stephenson thanks the boys who are the subjects of the film, as well as the schools and families that made it possible.

Gordon-Levitt introduces juror Clare Stewart, Head of Exhibition for the British Film Institute. 

Stewart: “This has been an exceptional festival” and thanks Cooper and Groth for it. To filmmakers: “Huge kudos to you all.” 

The U.S. Dramatic Special Jury Award for Acting:

Miles Teller and Shailene Woodley in The Spectacular Now

The actors aren’t here, so director James Ponsoldt accepts.

The U.S. Dramatic Special Jury Award for Sound Design:

Upstream Color, Shane Carruth and Johnny Marshall

Carruth: “We spent such a lot of time with this, and it’s such an integral part of the narrative. I’m so grateful to be here. The film is really ambitious and to have it received by filmmakers and people who are into film literature is the biggest gift.”

Gordon-Levitt introduces juror Brett Morgan:

Morgan: “Anyone who’s ever shot a documentary knows it’s asking a lot to even hold the camera steady. But this is one of the most stunning documentaries I’ve ever seen.”

Winner of the Cinematography Award: U.S. Documentary:

Dirty Wars, cinematography by Richard Rowley

Rowley: “Almost three years ago when we knocked on a door in Gardez, Afghanistan, we were the first filmmakers they’d seen since Americans kicked in their doors and murdered members of their family.” But he promised to tell their stories, and thanks Sundance, “for allowing us to keep that promise.”

Winner of the Cinematography Award: U.S. Dramatic:

Ain’t Them Bodies Saints and Mother of George, cinematography by Bradford Young

David Lowery accepts along with Dosunmu, and has Young on the cell phone: “He says thank you so much. He’s like a brother to me, I couldn’t have made this film without him.”

Gordon-Levitt introduces juror Gary Hustwit.

Hustwit: “Your film is only as strong as your editor is.”

Winner of the Editing Award: U.S. Documentary:

Gideon’s Army, edited by Matthew Hamachek

Hamachek: “I’m not Zen at all right now.” Thanks his director and producers, who flank him.

Updated 7:55 PM

Time for the Audience Awards.

Joseph Gordon-Levitt returns, saying the NEXT section is devoted to films of pure, bold innovative storytelling. Digital technology paired with unfettered creativity promises that these films signal a “greater” next wave in American Cinema. Slide Show of NEXT films.

Gordon-Levitt awards this one himself.

Winner of the Audience Award: Best of NEXT:

This is Martin Bonner, directed by Chad Hartigan (U.S.)   

Hartigan: “I’m really proud to be part of the NEXT section. A very humbling experience.” Calls up members of the cast. “If you responded to this film it was because of them.”

Gordon-Levitt: “Our next two presenters are here with the film Running From Crazy which is playing in the Documentary Premieres Section. Barbara Kopple is a two-time Academy Award–winning director who is the only filmmaker to ever sweep the Sundance Film Festival’s documentary award categories. Mariel Hemingway is an activist and an Oscar-nominated actress who has starred in such films as Woody Allen’s Manhattan, Personal Best and Star 80. Please welcome Barbara Kopple and Mariel Hemingway.”

Kopple: “As filmmakers, we live for our films to be seen by audiences. When we hear people laugh and are moved, it means everything to us. It’s what it’s all about.”

Winner of the Audience Award: World Cinema Documentary:

The Square, directed by Jehane Noujaim

Noujaim calls up her extended crew, then says: “It was a true collaboration. My incredible amazing team who I love so much.”

Hemingway present the next award, and thanks Sundance for including Running From Crazy in the festival.

Winner of the Audience Award: World Cinema Dramatic:

Metro Manila, directed by Sean Ellis (U.K./Philippines) 

Ellis, also bringing his cast and crew on stage: “I’m so glad that this film connected with everyone. I’d like to dedicate this to my mum, who passed away last year. Mum, this is for you.”

Hemingway introduces a slide Show of Films in U. S. Documentary and Dramatic Competition

Updated 7:47 PM

Gordon-Levitt returns to the stage to introduce the World Cinema Dramatic Jury, comprised of Joana Vicente, Executive Director of the IFP and producer of 20 films that have premiered at Sundance including Welcome to the Dollhouse and Broken English, Nadine Labaki, the renowned Lebanese director and star of Cannes film Festival hits Caramel, and Where Do We Go Now?, and Anurag Kashyap, one of the leading directors of India’s New Wave of Cinema whose two-part film Gangs of Wasseypur played in the Spotlight section at Sundance this year.

Winner of the World Cinema Dramatic Special Jury Award 

Circles, directed by Srdan Golubovic

Golubovic: “Especially I would like to thank my crew. You supported me all of those years. It was not easy with me. Thank you.”

Winner of the Cinematography Award: World Cinema Dramatic:

Lasting, cinematography by Michal Englert

Director Jacek Borcuch: “I’m also from Poland and my heart is also [beating] very hard.”

Winner of the Screenwriting Award: World Cinema Dramatic 

Wajma (An Afghan Love Story), written by Barmak Akram

Akram, looking damn dapper in a blazer, turtleneck, specs, and trim beard: “Thank you to Sundance for supporting Afghani film and Afghani women. In Afghanistan they love American films and now Americans love afghan films.”

Winner of the Directing Award: World Cinema Dramatic:

Crystal Fairy, directed by Sebastian Silva

Silva’s not in attendance, but there’s a video. Silva: “Really thrilled but I don’t want to give a boring speech. This is something I’ve always wanted to do but don’t even ask why.” He distorts his image to the tune of and sings Hava Nagila. Exeunt.

The following was a unanimous decision by the Jury. Took “one minute” to choose, according to Labaki.

Winner of the World Cinema Grand Jury Prize: Dramatic:

Jisuel, directed by Muel O (South Korea)   

Also a video acceptance from Muel O.: "I would love to share the honor with the people of the Jeju Island. I want to share this glory..."

Updated 7:38 PM:

Gordon Levitt is back on stage to show a highlight reel of films in the World Cinema categories. Then he introduces the World Cinema Documentary Jury. Members include the former Director of Programming at Hot Docs, Sean Farnel, Enat Sidi, who won the editing award last year for her work on the film Detropia, and Bob Hawk, a veteran consultant to filmmakers and film festivals who produced such Sundance films as Ballet Russes and Trick.

Farnel: “Thanks to all of the filmmakers for their commitment to a film form that’s exciting and necessary.”

Winner of the World Cinema Documentary Special Jury Award:  

Pussy Riot – A Punk Prayer, directed by Mike Lerner and Maxim Pozdorovkin (Russian Federation/U.K.)    

Mike Lerner and Maxim Pozdorovkin: “This is an incredible honor and a great prize. Thanks to the BritDoc that supported this film so well. Masha, Nasdia and Katya started a feminist revolution that we hope continues throughout the world. Let’s make it happen.” 

Winner of the Cinematography Award: World Cinema Documentary 

Who Is Dayani Cristal?, cinematography by Marc Silver and Pau Esteve Birba (U.K.)

Marc Silver: “My heart’s beating faster than our Polish friend. Want to thank whoever invented the Cannon EOS 7D – I wouldn’t be standing here if it weren’t for that.”

Winner of the Editing Award: World Cinema Documentary:

The Summit, edited by Ben Stark (Ireland/U.K.)

Nick Ryan, director: “He would be so pleased to get this. It was a 12 month process but it was worth it. Everyone worked so hard. It was a complex story."

Winner of the Directing Award: World Cinema Documentary: 

The Machine Which Makes Everything Disappear, directed by Tinatin Gurchiani (Georgia/Germany)

Gurchiani: “I’ve had a lot of fun. I hope the film is better than my English.

Winner of the World Cinema Grand Jury Prize: Documentary:                                                                        

A River Changes Course, directed by Kalyanee Mam

Mam: “We’re so shocked. This film is about family, a universal film. Not just about globalization but about our connection with each other. Events like these bring our communities together, to celebrate the beauty of our world.” 

Short Film Special Jury Award:

Until the Quiet Comes directed by Kahlil Joseph.

Short Film Special Jury Award for Acting:

Joel Nagle for his work in the film Palimpsest.

Short Film Jury Award: Animation:

Irish Folk Furniture directed by Tony Donoghue.

Short Film Jury Award: Non-Fiction

Skinningrove directed by Michael Almereyda.

Short Film Jury Award: International Fiction

The Date directed by Jenni Toiyoniemi.

Short Film Jury Award: US Fiction

Whiplash directed by Damien Chazelle. 

Short Film Grand Jury Prize:

The Whistle directed by Grzegorz Zariczny.

Zariczny, who wasn’t able to attend Tuesday night’s ceremony, claims the award tonight. 

Zariczny: “My heart is beating very fast now, like jungle drums. It’s something special for me. Thank you to all my friends in Poland who helped me when I didn’t have enough strength to finish my film.”

Then Groth calls us Lee Hunter from YouTube, who announces the winner of this year’s Audience Award, chosen from among 12 films that played on YouTube’s Screening Room channel during the Festival. Hunter says the films received more than 2 million views, averaging over 175,000 views per film. 

Winner of the 2013 Shorts Audience Award, presented by YouTube:

Catnip: Egress to Oblivion directed by Jason Willis